To welcome the New Year, “Good luck in the Year of the Tiger” can painting has entered the community of Shanghai economic and trade College students

2022-05-06 0 By

“When I saw a series of cans painted with the meaning of ‘good luck in the Year of the Tiger’ and received warm greetings from teachers at school, I felt that this winter holiday was very warm and the ‘Spring Festival alone’ was not lonely.”Students and teachers of the University of International Business and Economics (UIBE) celebrate the Chinese New Year at Lixiang Home in Shanghai, East China, Jan. 30, 2019.To give students the community create a lively and the festival atmosphere of Spring Festival atmosphere, let students stay experience Chinese excellent traditional culture, feel the joy of “home” warmth and festival, hueb invited can draw on the genetic bearing li xiong first came to the student community, held a “the year of the tiger good luck – intangible cans painting” Spring Festival activities.The event also invited interested students to participate remotely through a live broadcast on the bilibili platform.”Can painting is a kind of handicraft made of silver tin instead of paper, realizing innovation in inheritance and development of ‘ancient technology NEW look’ technique in innovation.”Non-genetic inheritor Li Xiongang spoke to the students.At the same time, the production of cans also makes full use of waste materials in life, advocating the concept of green environmental protection, and boosting the development of low-carbon economy.On that li is the son of li xiong just hueb, after a good graduate student YanGuoQiang excitedly said: “I am the traditional culture, intangible items like, through making cans by painting today, I realized that our young generation should be more efforts to inheritance and innovation of traditional culture, make the traditional culture to become” China tide “.”The activity was filled with laughter and a strong sense of New Year. Students studied how to cut exquisite paintings together, chatted about the customs of their hometown during the Spring Festival, and experienced the intangible cultural heritage culture in the handwork, feeling the infinite charm of Chinese excellent traditional culture, thus showing the “national trend” love and cultural confidence of the “post-00s” youth.”I always thought it would be lonely to stay on campus for the Spring Festival, but I never expected so many activities. This Spring Festival is unforgettable.”Said Dili Humal Abdukeim, a freshman from Yili, Xinjiang province.”Everyone look, this exquisite works, are all done by yourselves, is really lifelike.”Shi Yiting, deputy secretary of the Party Committee of the school of Business Administration at Shanghai University of Economics and Trade, praised the students’ work.Combining the creation of intangible cultural heritage cans, she told the students how to integrate the concept of environmental protection, innovative thinking and artistic creation, to understand the profound connotation of aesthetic education and labor education, and gave a vivid labor education lesson to the online and offline students.”Age of Awakening has set a good example of how ‘theme’ resonates with young people.”Post-00s college students prefer the educational experience brought by immersive interactive places and various new media platforms.”Shi Yiting said, “Take the handicraft as the teaching prop, take the traditional culture appreciation as the teaching through-point, realize the labor education by the aesthetic education, finally strengthen the labor spirit, cultivate the labor character.This is why we have this experience.”In the creative experience, students made discarded cans into paintings, which not only mastered the labor skills of turning waste into treasure, but also inspired young people to actively participate in and deeply integrate into traditional culture and customs.”This activity is really interesting. I want to make more and give some to my relatives and friends. I am also the inheritor of ‘National tide’!”Students who participated in the event online commented.Text and pictures: Liu Chi Editor: Yang Shuhan lu Jia Zhou Yuwei